This soaring novel shoots for the stars and explodes the sky with its bold brilliance.

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PET

Teenager Jam unwittingly animates her mother’s painting, summoning a being through a cross-dimensional portal.

When Pet, giant and grotesque, bursts into her life one night, Jam learns it has emerged to hunt and needs the help of a human who can go places it cannot. Through their telekinetic connection, Jam learns that though all the monsters were thought to have been purged by the angels, one still roams the house of her best friend, Redemption, and Jam must uncover it. There’s a curious vagueness as to the nature of the banished monsters’ crimes, and it takes a few chapters to settle into Emezi’s (Freshwater, 2018) YA debut, set in an unspecified American town where people are united under the creed: “We are each other’s harvest. We are each other’s business. We are each other’s magnitude and bond,” taken from Gwendolyn Brooks’ ode to Paul Robeson. However, their lush imagery and prose coupled with nuanced inclusion of African diasporic languages and peoples creates space for individuals to broadly love and live. Jam’s parents strongly affirm and celebrate her trans identity, and Redemption’s three parents are dedicated and caring, giving Jam a second, albeit more chaotic, home. Still, Emezi’s timely and critical point, “monsters don’t look like anything,” encourages our steady vigilance to recognize and identify them even in the most idyllic of settings.

This soaring novel shoots for the stars and explodes the sky with its bold brilliance. (Fantasy. 14-18)

Pub Date: Sept. 10, 2019

ISBN: 978-0-525-64707-2

Page Count: 208

Publisher: Make Me a World

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An entertaining story of forbidden love, family drama, and elegant couture.

THE LAST LEGACY

Since the moment Bryn was born, she was destined to take her place among the Roths.

Even after her parents died and she was taken to live with her great-aunt Sariah in Nimsmire, far away from the filth of the big city and the infamous Roth reputation, Bryn was destined to eventually become wrapped up in her family’s less-than-proper line of work—which was the cause of her parents’ deaths. When she returns to the city of Bastian on her 18th birthday, something she has eagerly anticipated after growing up in a small city under Sariah’s watchful eye, she is finally forced to come to terms with her identity and assume her rightful position in her family’s mysterious business. This feat would have been difficult enough on its own, for Bryn isn’t accustomed to her family members’ crude behavior, but she certainly isn’t prepared to meet the handsome, strong, brooding silversmith in her family’s employ; Ezra Finch definitely complicates things. This fast-paced tale with a Victorian feeling is filled with an abundance of scandal, high fashion, intrigue, and, of course, romance. While the large cast of characters is at times difficult to keep straight and the plot-driven prose would have benefited from more worldbuilding detail, the delightfully swoonworthy love story will keep readers engaged and the pages turning eagerly as they hurtle toward the book’s satisfying conclusion. Characters are White by default.

An entertaining story of forbidden love, family drama, and elegant couture. (family tree) (Fiction. 14-18)

Pub Date: Sept. 7, 2021

ISBN: 978-1-250-82372-4

Page Count: 336

Publisher: Wednesday Books

Review Posted Online: July 8, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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